My practice is rooted in fostering collaboration with the more-than-human, revealing the beauty, complexity, and resilience of life beyond Homo sapiens. Through ceramics and fictional illustration, I explore the interplay between organic processes and artistic creation. By integrating bio-thinking, I seek to highlight co-evolution, encouraging deeper engagement with our shared environment and a challenging anthropocentric perspectives on creativity.

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I believe that the synergy between biodesign and traditional craftsmanship is not just a convergence of past and future techniques—it is a necessary evolution toward a more symbiotic, sustainable approach to design. By embracing this intersection, I aim to cultivate a practice that is both poetic and ecologically attuned, where making becomes an act of dialogue rather than domination.